![]() He seeks to imitate gli Americani in his daily life, and one of the most well-known scenes sees him trading red wine for milk.īy the time Celentano’s song came out, the sound of American English had been “contaminating” Italian culture for decades. “Americanization” was captured in films such as 1954’s An American in Rome, in which Italian actor Alberto Sordi plays a young Roman who is obsessed with the United States. The phenomenon was especially strong in Italy, where the arrival of American troops in Rome in June 1944 helped mark the country’s liberation from fascism. After World War II, American culture started to exert its influence in many parts of Europe. ![]() ![]() He 72-year-old Celentano was interviewed for an episode of National Public Radio’s “All Things Considered.” “Ever since I started singing, I was very influenced by American music and everything Americans did,” Celentano said. You really have to hear it to appreciate it. The song’s lyrics sound phonetically like American English-or at least what many Italians hear when an American speaks-but are clearly total, utter, delightful nonsense. The most famous is probably “Prisencolinensinainciusol,” a 1972 song composed by legendary Italian entertainer Adriano Celentano and performed by him and his wife, Claudia Mori. In Italy, for example, beginning in the 1950s, American songs, films, and jingles inspired a diverse range of “American sounding” cultural products. There’s a long tradition of songs that “sound” like another language without actually meaning anything. Baby talk evolves into proto-words, so that “octopus” might come out as “appah-duece,” or “strawberry” as “store-belly.” But it’s not just children who ape the sounds of spoken language. Not exactly about books, but definitely about language.īefore children learn how to speak properly, they go through a period of imitating the sounds they hear, with occasionally hilarious results, at least for their parents.
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